The Radioactive Neon Bliaut

Over the last week or so I've sewn most of K's bliaut; all that's left is the trim at the hem and the collar facing (and the overdyeing because really it's so bright it changes the light quality in reasonably well-lit spaces). Thus it is The Radioactive Neon Bliaut. It's really rather appropriate; I mean, it is a bliaut. It's supposed to be ostentatious! Just maybe not literally blinding.

A stack of screaming red and bright-orange pieces of fabric, folded and set on a tan-covered table next to a basket inside a canvas tent. A large quarter-circle of bright-orange fabric set on screaming red fabric.
On the left, all the pieces cut and stacked. The orange is brighter and the red redder than that picture is showing, but the overall effect is pretty close. And on the right, one of the semi-circular sleeve cuffs. This is going to be a truly fabulous and ridiculous bliaut, and I am delighted.

A piece of screaming red fabric with a curved hem, seamed to bright-orange fabric and with the hem fodled and pinned, and a needle inserted into the hem.
I flat felled all the color change seams, and did my usual hem stitch to finish the raw cuff edges. Remarkably fast little stitch, and all but invisible from the right side.

I pieced the sleeves first, since they're each made of four pieces of fabric and it seemed wise to construct them before those little pieces could fray too dramatically. Next was piecing the gores into the body (including some total guesswork for placement, since I forgot to get K's shoulder-to-waist measurement and he lives in another city) and French seaming all those. So. Much. Screaming. Orange.

A piece of bright-orange fabric with a pulled vertical thread ending at a pin a few inches down from the upper raw edge. Another pin rests several inches down from the first.
Pulling a thread after marking the important points on the neckline...

A semi-circular neckling with a long front slit, cut from bright-orange fabric.
Et voila! A lovely keyhole neckline, with a very straight slit. Much better than my usual guess-and-pray method.


A young redheaded white woman in a loose, oversized bright-orange caftan, standing in the entry of a sunny, white-walled apartment next to a crammed bookshelf and a small gallery wall of art.
The unsleeved body! The sides are also open above the side gores, and K is quite a bit taller and broader than I am. I'm on tiptoe, but on him the hem should fall about mid-calf once I add the bottom trim.

A wide sleeve cuff in bright-orange with wide red trim and a long slit, hemmed on the right and pinned on the left.
Here's the open slit that lets the cuff fall beautifully over the wearer's hand More of that simple hemming stitch, which works really well for hems that shift width, too, like the point of the slit here.

An open tube in a mass of bright-orange fabric, with a partially finished seam running around the top of the tube.
Setting a sleeve into the body. Tragically, this is attempt number one, in which (despite triple checking) I set the sleeves inside out.

A young redheaded white woman in a loose, oversized bright-orange bliaut with long sleeves trimmed in red, standing in the entry of a sunny, white-walled apartment next to a crammed bookshelf and a small gallery wall of art.
Didn't notice the mistake until after taking this picture, with both sleeves not only stitched in but French seamed already. Sigh. Four ripped and re-sewn seams later, I have a very-nearly-completed garment. You can see here that the neckline is a bit wide and shallow for the style I want, too, so I might cut the red trim there to reshape it a little. I am in love with the sleeve cuffs, though. They do exactly what I want them to do—which is based on this illumination from the CĂ®teaux Moralia in Job.

So tonight, probably cutting pieces for the trim at the hem, unless I feel ambitious and pattern the neckline trim. So very close! And then all I have left for K is the undershirt and hose.

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