Sexy Ankles

Or, Sabine needs better-fitting hosen.

My existing ones aren't bad, but...well, I did make then in an adrenaline-fueled rush during the six hours preceding Kingdom A&S one year. They don't not fit, but they're made of the same not-wool as the yellow cote, so they aren't nearly elastic enough to get the nice smooth fit depicted in most medieval art of the late 12th to early 13th century. I'm also not delighted with having a seam along the center of the sole; it's not comfortable to walk on, and makes fitting the toe even more challenging than it needs to be.

The sole of a right foot, photographed by propping the foot on the other knee and tilting the camera far sideways. White, floral-sprigged fabric is pinned with large clumsy seam allowances around the foot and up the leg, with black sharpie marking the edges of the sole. A tall stack of jeans and turquoise-and-green comforter is visible in the background, leaning against a white wall next to a taller stack on a wooden folding chair.
I had to hobble across the apartment to get the sharpie to draw those lines.
So I got out the old sheet I've been using for patterning, and pinned my leg into it. I used a three-piece design this time: one piece for the leg and heel, one for the instep, and one for the sole, which let me get the foot and ankle much more tightly fitted and moved the seams to more convenient locations.

A photo showing a right leg from the knee down, with white, floral-sprigged fabric pinned tightly around it and black sharpie along the seam lines. Flaps of extra fabric stick off around the edge of the foot and along the back center of the leg, and pieces intersect over the highest point of the instep.
So stylish.

I marked the seamlines with a sharpie before unpinning and flattening the pieces to trace out again with smoother outlines and notes on orientation (but not on intersection points, which it turns out was a somewhat crucial oversight).

The outline of a left foot and a rough pentagon with three pointed and two rounded corners, drawn in black sharpie on a white, floral-sprigged piece of sheeting, with notes for orientation and "no seam allowance" marked in the centers.
Feet are such weird shapes.

New foot pieces came out of the old leg panel, which was slightly too small to recut along the lines of the new leg piece.

A black sharpie outline of a leg pattern piece, which looks like a rough outline of a child's tank-top dress, on white, floral-sprigged sheeting, more opaque where it's layered over an older pattern piece.
Sheets are fabulous for muslins. They go on forever.
And the new leg from the remainder of the sheet, which is getting washed before I use it again. It's covered in cat fur, and I was a sneezy mess by the time I was done with it.

Comments